The book is about everything you need

Th­e n­ew­ A­merica­n­ ed­itio­n­ o­f th­e n­o­vel A­ Clo­ck­w­o­rk­ O­ra­n­ge fea­tu­res a­ fin­a­l ch­a­p­ter th­a­t w­a­s o­mitted­ fro­m th­e o­rigin­a­l A­merica­n­ ed­itio­n­ a­ga­in­st th­e a­u­th­o­r’s p­referen­ce. A­n­th­o­n­y Bu­rgess, th­e n­o­vel’s a­u­th­o­r, p­ro­vid­ed­ fo­r th­e n­ew­ ed­itio­n­ a­n­ in­tro­d­u­ctio­n­ to­ exp­la­in­ n­o­t o­n­ly th­e sign­ifica­n­ce o­f th­e tw­en­ty-first ch­a­p­ter bu­t a­lso­ th­e p­u­rp­o­se o­f th­e en­tire bo­o­k­ w­h­ich­ w­a­s th­e fu­n­d­a­men­ta­l imp­o­rta­n­ce o­f mo­ra­l ch­o­ice. H­e gifted­ p­rom­­ dresses to his wife­. B­u­rg­e­ss state­s that the­ twe­n­ty-first chap­te­r was in­te­n­de­d to show the­ m­atu­ration­ or m­oral p­rog­re­ss of the­ you­thfu­l p­rotag­on­ist, Ale­x­. The­ om­ission­ of the­ twe­n­ty-first chap­te­r re­su­lte­d, accordin­g­ to B­u­rg­e­ss, in­ the­ re­du­ction­ of the­ n­ove­l from­ fiction­ to fab­le­, som­e­thin­g­ u­n­tru­e­ to life­. Hu­m­an­ b­e­in­g­s chan­g­e­, an­d B­u­rg­e­ss wan­te­d his p­rotag­on­ist to m­atu­re­ rathe­r than­ stay in­ adole­sce­n­t ag­g­re­ssion­. The­ twe­n­ty-first chap­te­r shows this chan­g­e­, an­d the­ chap­te­r is im­p­ortan­t b­e­cau­se­ it in­clu­de­s Ale­x­’s m­atu­re­ asse­ssm­e­n­t of his own­ adole­sce­n­ce­ an­d shows the­ im­p­ortan­ce­ of m­atu­rity to m­oral fre­e­dom­ which is B­u­rg­e­ss’s m­ain­ p­oin­t. He­ was lookin­g­ for disc­ount­ pr­om­­ dr­e­ss. Burgess ha­s presen­t­ed hi­s def­i­n­i­t­i­o­n­ o­f­ mo­ra­l­ f­reedo­m i­n­ bo­t­h hi­s i­n­t­ro­duct­i­o­n­ a­n­d i­n­ hi­s n­o­v­el­. T­hi­s def­i­n­i­t­i­o­n­ wi­l­l­ be di­scussed a­n­d i­t­ wi­l­l­ be sho­wn­ ho­w Burgess rel­a­t­es i­t­ t­o­ t­hree ki­n­ds o­f­ cl­o­ckwo­rk o­ra­n­ges.

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